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Pump Up the Volume – But You Still Need Skill

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Harmonica players use amplifiers (amps) and microphones (mics) to raise the volume when playing along with other musicians and, often, when entertaining an audience.

The mic converts sound into electrical pulses that feed into an amp, recorder or transmitter. In a sense, it’s the link between a player and an audience and has huge potential in amplification of the tone.

Harmonica players need a mic that’s easy to cup with the hand and adjust while playing, sensitive enough to respond correctly to every hand command and wind pressure. Plus, of course, it should be able to howl like a giant!

Like the microphone, an amplifier plays a key role on the harmonica scene. In partnership with a mic, electric instruments plugged in directly, and perhaps recorded backing tracks, it’s used to increase the volume and balance sound levels through a speaker system.

Tips to Prevent Unwanted Feedback:

Feedback – we’ve all heard it. It’s the ear-screeching noise produced when the output signal from the speaker is picked up by the input device (mic). The mic, the room, amp settings and component set-up all can cause feedback. Your first action is to turn down the amp immediately. Feedback can destroy expensive equipment. The only way to avoid it is to reduce volume. Other actions you can take include:

* Point the amp away from you.
* Don’t get the mic near the amp when adjusting volume.
* Preferably have a volume control for the mic.
* Feedback often comes from the treble setting; turn it low, with the bass up.
* Seal the harp and the mic with your hand to make sure the only sound that the mic picks up is from your harp, with your hand blocking the amplified sound from the speaker.

When making your equipment buying decisions, it’s best to first buy the mic so you can then experiment on various amps to identify which would work best with it.

Having said all of that, here’s an important point: The quality of a player’s music does not depend on the mics and amps. In other words, they won’t make you good at playing harmonica. That comes from within. Their purpose is to make your sound loud enough for your audience. The louder the volume, the more likely that poor playing will be heard loud and clear.

So, remember: no mics or amps, pricey or cheap, can make a great harmonica sound by themselves. Only the player can do that.

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Responses to This Article

  •   
    jpallen

    I generally like this article.

    I will say that tone is VERY important. I agree that it may be premature for a beginning harmonica player to buy a rig but at the same time, for an advanced player TONE IS HALF THE GAME.

    What’s a harmonica rig? The simplest version is a mic a cable and an amp. I sometime play with pedels but the mic and amp are the key!

    The last paragraph of the above article seems to imply that a mic and amp are only about playing loud. I want to be polite but this is not even close to being accurate.

    The mic and the amp I play with makes all the difference to the tone and thus the emotional quality my playing.

    I personally love small old amps. My favorite is the pre CBS Fender Champ. I believe they were last made in 1958 or 1959. The key is to find one with the original speaker or buy and insert and original old speaker.

    The reason for this is that the old original speakers are thinner than most of the new speakers. Thin speakers are very desirable or harmonica player because they create a rich natural distortion that gives the harmonica sound a huge body.

    How do you know a thin speaker? Stick your hand in the amp and just feel and look at the speaker. If you compare it to a new speaker you’ll notice and old fender speaker feels more thin and flimsy to the touch.

    Why did they start making thicker speakers?

    Modern guitar players tend to like them better and Fender is selling to guitar players (there’s more money in it for Fender).

    MICS: I like the JT 30 mic. My favorite harp mics have volume knobs. I like the Hohner Blues Blaster with the Volume knob…and of course the Sure Green Bullet is great too…they now make one with a volume knob.

    Why do I like a volume knob?

    Because I can turn the mic off when I walk over to the amp…crank up the amp with out creating feedback…and then walk away from the amp and put my body between the amp and the mic (this helps to prevent feedback)…

    Then I slowly turn up the mic…

    I love it when my amp is CRANKED UP AS LOUD AS POSSIBLE and is on the edge of feedback…That’s why I love the having a volume knob…if feedback begins to creep in, I can quickly cut the volume on the mic to stop feedback immediately before it kicks into that high harmonic screech that hurts everyones ears.

    It’s late and I’m tired but I hope my feed back helps.

    Warmly,

    JP Allen

    [Reply]

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